Adib Noh Photography

The phrase “All photographs are self-portraits” doesn’t mean your face appears in the frame.It means that who you are quietly appears in every photograph you choose to make. Your values, your training, your personality, your curiosities — they all leak into the image. In the context of your photo, taken as an engineer who loves architecture, the saying becomes even more meaningful: What this photo reveals about you — even without showing you 1.⁠ ⁠Your engineer’s eye for structure You were drawn to the mall’s undulating ceiling — a complex, rhythmic structure that most people would simply walk under without noticing. The fact that you noticed it, lined it up, and made it the dominant feature already says something about you: You appreciate design integrity, load distribution, repeating patterns, and the elegance of engineered solutions. 2.⁠ ⁠Your love of architecture shows in your visual priorities Most people photograph malls at eye-level, focusing on shops or events. You went for a hi...

Sharing a photo as shown above, which meets the criteria of social documentary photography. Here are the explanations:  1.⁠ ⁠It records real people in a real social activity Social documentary photography focuses on everyday life, social issues, culture, and communities. This image captures a genuine monthly public walk organised by a civic body (Putrajaya Corporation). The people are not posing; they are participating naturally in a community-driven activity. 2.⁠ ⁠It documents a social initiative and its purpose The walk promotes healthy living, community bonding, and public wellness. These are meaningful social themes. Social documentary often highlights initiatives that reflect societal values, behaviour, or change. 3.⁠ ⁠It provides context and narrative The architectural elements (the boulevard, the lamp posts, the Putrajaya design aesthetics) give clues to the place and the social environment. The group movement, attire, and formation suggest organisation, unity, and shared pu...

As I walk in the city of Kuala Lumpur… There are moments when the city reveals itself not through grand architecture or sweeping skylines, but through the quiet layers that unfold as you simply walk. Today, in the heart of Bukit Bintang, I found myself drawn to a scene that felt familiar yet strangely cinematic — a corridor of towering digital billboards glowing above a slow-moving crowd. At first glance, it seemed like just another branded corner of the city. Bright lights, luxury storefronts, the pulse of consumerism. But as I paused, I realised something deeper was happening here. The image in front of me wasn’t flat — it was layered, textured, almost like the city was telling a story through depth rather than words. The first layer was impossible to miss: a massive sports advertisement stretched across the walkway, capturing an athlete mid-kick, suspended in perfect form. The colours were loud, confident, energetic. It felt like a command — Look here. See this. Want this. But behin...

My artistic journey has always been shaped by the way I observe the world — quietly, patiently, and often from a distance. Whether I am sketching African lilies with a Lamy pen, painting wetlands in watercolor, or capturing fleeting street moments in Kuala Lumpur or Leiden, my tools evolve, but my intention remains the same: to see deeply, to feel the moment, and to preserve what speaks to my soul. Over the years, I’ve travelled with two companions — the smartphone in my pocket and the camera slung over my shoulder. Each has shaped my creative path in different ways, and together they have taught me that artistry is never about the tool; it is about the way we choose to see. Smartphones: The Art of Being Present My smartphones — whether the Samsung Galaxy Note10 Lite or the iPhone 14 Pro Max — have become extensions of my everyday life. They allow me to capture moments exactly as I encounter them: a sudden splash of light on a sidewalk, a stranger’s gesture, a quiet reflection on a hot...

   This photo can be considered cinematic, and here’s why. Cinematic photography doesn’t depend on expensive gear or movie sets — it’s about how a moment feels like a scene from a film. Let’s break it down by the main criteria: 🎬 1. Story and Emotion Cinematic photos tell a story or evoke curiosity — and yours does. The lone figure in red descending the escalator toward a crowd sets a narrative tension: Where is she going? What awaits her? It feels like the opening shot of a film about city life, solitude, and human rhythm. 💡 2. Composition Your composition is strong and deliberate: • The leading lines of the escalator draw the eye toward the center of the frame and the crowd beyond. • The single red hoodie acts as a visual anchor — immediately catching attention against the neutral urban tones. • The perspective from behind creates a sense of observation, as if the viewer is following the character’s journey. 🌆 3. Lighting and Color The soft ambient lighting, w...

The marshy landscape of Putrajaya Wetlands is a masterpiece of nature and design, where ecology, tranquility, and urban planning blend harmoniously. In the image, the still water mirrors the lush greenery — tall trees standing gracefully along the banks, aquatic reeds swaying lightly in the breeze, and layers of vegetation reflecting in soft tones of green and gold. The quiet surface of the wetland conceals an abundance of life: fish, amphibians, insects, and waterfowl thrive here, forming a living mosaic of biodiversity just minutes away from the heart of the city. The beauty of the wetlands lies not only in their visual serenity but also in their dynamic ecological function. The marshes filter sediments and pollutants naturally, acting as the kidneys of the environment. As rainwater flows from the city into the wetlands, suspended solids and contaminants are absorbed by aquatic plants, resulting in cleaner water entering the lakes and rivers beyond. These wetlands also serve as a car...