What I find beautiful about double exposure is how it allows chaos and harmony to exist together. Trees overlap with architectural lines, light cuts through shadow, and bold colours intersect with organic forms. The result is not meant to be read in one glance. Like modern art, it invites you to pause, to explore, and to interpret. Each viewer may notice something different—a rhythm, a pattern, or a hidden balance.
At times, the image feels abstract, almost painterly. The repetition of forms and the play of transparency turn ordinary urban elements into visual poetry. It reminds us that photography does not always have to explain; sometimes it simply needs to evoke.
For me, this approach sparks creativity. Double exposure breaks the rules of realism and opens space for experimentation. It transforms the familiar into something new, encouraging me to see beyond what is in front of the lens and imagine what could be. In that sense, it is not just a technique—it is a way of thinking, where photography becomes an expressive art rather than a faithful record.

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