JANUARY 2018 PHOTO PROJECT-URBAN LIFE

A decade has passed by and really enjoyed my journey and exploration into the world of photography. I managed to sell a few photos and got printed in the newspaper and two are on sale at Getty Images.On the social side, I lead and manage a photo sharing group. As an amateur photographer and a senior citizen, that is more enough for me to move on something that is higher than creating and sharing beautiful and great photos before my battery run dry.

For January 2018 I plan to walk around Bandar Baru Bangi to seek and capture the town, the people, and their lives. It is more a documentary photo collection highlighting the good, the bad and the ugly.Later,I write notes for each photo and share later with the public.This is my small attempt to create SOCIAL CHANGE through my photography.

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SKODENG

SKODENG IS A MALAY WORD WITH NEGATIVE MEANING.IT IS ABOUT SNEAKING AROUND TO SEE WHAT BAD THINGS PEOPLE ARE DOING.THIS WEEK THEME OF THE WEEK OF OUR PUTRAJAYA PHOTOWALK IS SKODENG TO MEAN SNAPPING PHOTOS OF PEOPLE IN PUBLIC THAT ATTRACTED THE PHOTOGRAPHER'S ATTENTION.IT IS A CANDID STREET PHOTOGRAPHY WORTH SHARING.. NU SENTRAL,KL KLIA UMAI CAFE,PUTRAJAYA SURIA KLCC Bank of Kelantan River PASAR TANI,MAEPS CAR FREE DAY ,KL NU SENTRAL,KL BANGUNAN SULTAN ABDUL SAMAD ERL,KL-KLIA PASAR TANI,MAEPS AMPANG PARK

Let the photo speak first?

Should photographers explain their photos, or let the images speak for themselves? A strong photograph can stand on its own. It invites people to look, pause, and interpret the moment in their own way. But sometimes a few words from the photographer reveal the quiet story behind the frame — what was seen, felt, or noticed in that fleeting moment. Perhaps the balance is this: Let the photo speak first. Let the words gently reflect afterwards. 📷

SOLITUDE

Solitude at the Water’s Edge At the quiet margins of Putrajaya Wetlands Park, moments of stillness often reveal themselves in the simplest scenes. This photograph captures one such moment — a lone bird standing calmly in the shallow waters of the wetlands, surrounded by patches of emerging green and a mirror-like surface that reflects the sky above. What makes this scene compelling is its sense of solitude. The bird stands alone, yet it does not appear lonely. Instead, it seems completely at ease in its environment. The calm water, lightly textured by ripples, creates a soft canvas where reflections blur the boundary between sky and earth. The bird’s reflection anchors it in the frame, quietly doubling its presence in the landscape. The composition embraces minimalism. Most of the frame is filled with open water and subtle tones, allowing the bird to become the natural focal point. The scattered patches of grass break the uniformity of the water surface and hint at the slow, livi...

Adib Noh Photography

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