SEEING THE SIGHT: Get closer

A famous war veteran photographer said that if your photo is not good,it means that you are not close enough.I concur on some cases but not all.Seeing depends on the ability of our eyes to see-the closer we are,the more details we see.And some hidden beauty will reveal themselves when we get close to them.It is like friends.We know more about our close friends than our Facebook friends.

Getting closer is not limited to only physical distance but also relate to our relationship with the objects or persons.

However,at times we may offend some people to shoot them at close range.Zoom lens will be handy. Also,when it comes to snap photos of birds.In general,I prefer to shoot closer-it is more intimate with my subjects.And you shall nit see only but you you can feel and smell it to.

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SKODENG

SKODENG IS A MALAY WORD WITH NEGATIVE MEANING.IT IS ABOUT SNEAKING AROUND TO SEE WHAT BAD THINGS PEOPLE ARE DOING.THIS WEEK THEME OF THE WEEK OF OUR PUTRAJAYA PHOTOWALK IS SKODENG TO MEAN SNAPPING PHOTOS OF PEOPLE IN PUBLIC THAT ATTRACTED THE PHOTOGRAPHER'S ATTENTION.IT IS A CANDID STREET PHOTOGRAPHY WORTH SHARING.. NU SENTRAL,KL KLIA UMAI CAFE,PUTRAJAYA SURIA KLCC Bank of Kelantan River PASAR TANI,MAEPS CAR FREE DAY ,KL NU SENTRAL,KL BANGUNAN SULTAN ABDUL SAMAD ERL,KL-KLIA PASAR TANI,MAEPS AMPANG PARK

Let the photo speak first?

Should photographers explain their photos, or let the images speak for themselves? A strong photograph can stand on its own. It invites people to look, pause, and interpret the moment in their own way. But sometimes a few words from the photographer reveal the quiet story behind the frame — what was seen, felt, or noticed in that fleeting moment. Perhaps the balance is this: Let the photo speak first. Let the words gently reflect afterwards. 📷

SOLITUDE

Solitude at the Water’s Edge At the quiet margins of Putrajaya Wetlands Park, moments of stillness often reveal themselves in the simplest scenes. This photograph captures one such moment — a lone bird standing calmly in the shallow waters of the wetlands, surrounded by patches of emerging green and a mirror-like surface that reflects the sky above. What makes this scene compelling is its sense of solitude. The bird stands alone, yet it does not appear lonely. Instead, it seems completely at ease in its environment. The calm water, lightly textured by ripples, creates a soft canvas where reflections blur the boundary between sky and earth. The bird’s reflection anchors it in the frame, quietly doubling its presence in the landscape. The composition embraces minimalism. Most of the frame is filled with open water and subtle tones, allowing the bird to become the natural focal point. The scattered patches of grass break the uniformity of the water surface and hint at the slow, livi...

Adib Noh Photography

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